Sunday, June 18, 2017

As I Always Say...





This is something I tell students all the time: round is overrated. Some of the most beautiful pots in the world are asymmetrical; if ya like em perfectly round, they've got plenty of those all Walmart.

Skill comes, with time and practice. In the meantime it's important to enjoy and appreciate the wonky, spontaneous qualities of your early pieces. Once you can make them round every time, you'll strive to get back dome of the wonk!

Get the shirt here.

To Dad with Love - CHECK OUT MY TOMATOES


It's sort of a running joke in my family - my Dad and his tomato plants. There are reels and reels of home movie footage of beautiful green growing fruit. He was so proud of his garden.

So, not for nothin', I grew up to be a gardener, and I sort of specialize in tomatoes. And this year I have blossoms already on some of my plants! In the middle of June.

Dad would be proud.

Thursday, June 15, 2017

Garden Inspired


I loooove sliptrailing. Usually my sliptriailng is just dots or other patterns, but occasionally I get inspired to do some representational marks. Even the abstract marks are botanically inspired, and in June there is a lot of botanical inspiration to be had in my garden.

Bleeding hearts have tugged on my mind for some time. The simple repetitive shapes, the multiplicity, the distinctive foliage - they seem made for slip decoration. It's harder than it looks, though, and my first several tries were either just bad - blotchy, unrecognizable - or just didn't really capture the charm of the plants. Theses are a bit better, but I'll keep working on it.

The green you can see peeking out from beneath the slip is food coloring - I find it helpful to loosely paint out my marks. It saves me wasting slip by trailing, wiping off, trailing, wiping off, and so on.

These blossoms are loosely inspired by creeping phlox.

These are more generic but I think I could minimally adapt them to reference poppies. The difficulty with slip trailing is with depth - trying to represent some blooms or petals behind others can sometimes turn into just a blobby mess! On these last two the food coloring serves to mark out the spacing for the scalloped design - this has greatly improved my placement! It has he advantage over pencil or needle tool in that the lines are clearly visible but do not have to be removed later - the food coloring just burns away. 

Wednesday, June 14, 2017

Yeah, That Was Me

...firing a raku on the hottest night of the year.
At least I hope it will turn out that was the hottest night! I kind of feel cheated: May and June are two of the three nicest months in Maine - the third being September - with temperate days and cool nights. This year, and last year, we had 45° and rain right up until we were catapulted into the 90s. Temps in the 90s are not supposed to happen in Maine! Or at least not for more than a few days each summer, in late July or early August. It plays hob - HOB, I TELL YOU - with the gardening season. I'm hoping things will mellow out in the next few days.


Nevertheless, the raku must go on! Well - technically that's not true, I've cancelled raku for all kinds of reasons, often weather-related, once mostly because I was just not feeling it.

It was sweltering, but we got some amazing results. I had all beginners! But they listened well and followed instructions, and we got some of the nicest copper lustre results I've seen in a while. The students have since taken theirs home, but mine are still at Portland Pottery, for people to check out. .

If you are thinking about doing a raku firing or taking a workshop, let me share a couple of things with you to make it a better experience:
The first couple are safety related:

  1. Wear cotton clothing! It's hard for cotton to catch fire. Not impossible, but a stray ember is unlikely to light it. Polyester, nylon, rayon? All bad choices.
  2. Wear closed-toed shoes! You may be called upon to stomp out flames. You want to be able to answer the call without harming your tootsies.
  3. If your hair reaches your shoulders, tie it back.
  4. If you are manning a post-firing reduction chamber, once the chamber is closed, don't open it for any reason for at least about 6-10 minutes. If you deprive the flame brielfy of oxygen and then suddenly allow an influx, you can get what's called a backdraft, which sounds kind of tame but is in fact a ball of flame, with you in the middle of it. You won't like it. 
These next apply more to workshop situations than private firings. In a small, one-person kiln, some things are easier than in the large kiln, so these suggestions don't apply in those cases. If you are firing your own kiln, handlling your own tongs, put in any size pieces you want, for example! These are more like workshop etiquette:

  1. Don't bring teeny tiny things. No beads, no buttons, no earrings. I once had a workshop participant bring like 30 1-inch pots. It wasn't her fault, nobody told her! But it was a misery getting those out of the kiln before they cooled too much too get any nice metallic colors, without getting burned. (Mostly my hands. The fireman's jacket protects the rest of me, but the gloves can only do so much as I reach repeatedly into the glowing kiln. So, yeah. Don't do that. 
  2. Don't bring anything you wouldn't want to lift with three foot tongs and drop into a pile of wood chips right next to other clay pieces. No huge things, nothing delicate or with long fragile appendages. Raku is hard on pieces, both the thermal shock & just the thumping around that's going to happen putting them in the reduction chambers and into the water. 
  3. Make sure you have used a claybody that is appropriate for raku. There's a pretty broad range of bodies that will work, and some that aren't great but will probably work for some pieces. The best ones are groggy stoneware, or porcelain, or bodies made for raku. 
  4. As noted above, raku is a risky process for the ware. Sometimes stuff breaks. Don't do it if losing a piece is going to break your heart. 
I'll post some photos of the ware and a fabulous raku glaze recipe here next week.

Wednesday, June 7, 2017

Etsy Wholesale Update


Received this ^^ in my inbox today!  I've started my linesheet already. As of this second it's only got one item on it but check it out if you like. 

Am I the eternal optimist? Or do I never learn? Or are those different ways of saying the same thing? Either way, I am quite excited about this, in spite of my previous experiences with Etsy. If it goes well, if it goes poorly, you'll read it all here.

Monday, June 5, 2017

Here We Go Again: Etsy Wholesale

Remember my love/hate relationship with Etsy? I love to shop there - mostly for supplies* - and hatehatehate to sell there. Or rather I'd love selling there, if I ever actually sold anything! (I technically still have a store - two in fact, one for pottery and one for soap, but there's nothing in either of them.) Two things made me walk away from Etsy last time:

  1. I realized I was spending as much time promoting as I do making stuff, chasing after the Etsy dream. 
  2. I noticed when people buy things from Etsy, that's how they describe it: "I got it on Etsy." The seller's name is lost to the mists of history. So all that promoting? Benefits Etsy more than the seller.I decided if I was going to promote, I might as well be promoting me.
     
The fees were adding up, too, as I had to keep listing and re-listing to keep my items visible a search. 

Ugh, I am having flashbacks. I swore off Etsy more than once but now? Now there's Etsy wholesale. The thing is, I've been wishing there was a high profile online means to reach wholesale buyers - kind of an ACC Baltimore, online. Wholesale show are crazy expensive, and I am small enough as a business that I couldn't fill the 50K worth of orders that would make it worthwhile. The only other way to find accounts is to email & follow up with in-person visits - suuuuper inefficient. 

Etsy Wholesale would allow me to expand my handful of wholesale accounts, to maybe two handfuls. I wouldn't need to expand to "a truckload" just to make a show worthwhile. 

No listing fees, that's big. It doesn't make sense, to me, to be asked to pay before I sell anything! You do have to apply - I have started that process already - and who knows? Maybe I'll write all this angst and get declined anyway. I'm not entirely sure what they criteria are, and I am reading comments from lots of established Etsy sellers that their application was declined, so I guess that's good, right? It means they have standards, you won't have paper-clip-on-twine necklaces, unless they are really amazing paper-clip-on-twine necklaces. 

As I poke around further, I've discovered that Etsy Wholesale has existed since 2014. How did I not know this? I just found out recently because I saw a Facebook ad. It the intervening time, have you had an Etsy Wholesale shop? Is there another online wholesale venue that I've missed? What have your experiences been? Would love some input on this. 

*Now I guess there's Etsy Studio for supplies. When did that happen? 

Sunday, June 4, 2017

The Magic of Science

Fresh compost & happy tomatoes!
Got the new raised bed in, and filled both the new and old beds with compost.

Can I confess something that is gonna sound a little weird? I 💜 compost. I heart the idea of compost. What's basically a useless nuisance - fallen leaves, grass clippings, food scraps - turned into valuable material, just by letting it sit around in a pile! The wee beasties invisibly do all the work.
New bed, pre-compost
Extra lumber? Tiny bed for pole beans!

She is a cat lady, too!
In my head, I am writing a book called The Magic of Science. (All my books, so far, are in my head. It's getting a bit cluttered in there!) Everything I love to do involves transfiguration. Professor McGonagall would be proud. The only difference is the transfigurations I specialize in involve some chemical or biological process. (I'm not as good with a wand & incantations, I'm afraid; sorry, professor.)

Lately you see people walking around in t-shirts reading "Fuck your feelings." These people, as a rule, do not seem to be big fans of science! But they should be: nothing is less sensitive to your feelings than those pesky laws of physics. You really, really liked that piece, you worked so hard on it, but it dried a bit too fast? Cracked anyway. You loooooooove copper red but didn't get the kiln in reduction soon enough? Tough titty, said the kitty. Science doesn't care if a particular outcome is convenient, or fair, or conforms to your world view. It is what it is.

Putting the greenhouse effect to work
with an upcycled window!

The laws of physics can be good and useful tools, though, if you don't expect them to be your friends.


Fats + lye + time = soap
Waste vegetation + time = compost
Clay + heat = ceramic

One of the things the proper application of those laws of physics can do is make delicious tomatoes!


Friday, June 2, 2017

Gotta Hustle

Many years ago, when I lived in the Twin Cities (the Minnesota ones, not the Maine Twin Cities), I was driving on Lake Street on a Sunday morning. A big-hair woman in surprisingly brief clothing was making mighty efforts to get drivers' attention, although not mine; she was smiling brightly, tossing her hair, and energetically waving at passing men. I turned to my passenger and observed, "She works hard for the money." My friend deadpanned in response: "Yeah, well: you gotta hustle, if you wanna be a hustler."

I tell this story not to ridicule that young woman - I don't know anything about her life or circumstances - but because his reply stuck with me. You gotta hustle, if you wanna be a hustler - or a potter.

I remind myself of this when I slack on the tedious parts of the job: the selling. Posting pots in the online store, calling shops, sending emails to teaching studios to ask after workshops. When I slack off, unsurprisingly, my income stream diminishes. No hustle, no bustle. No bucks.

The flip side of it is, make the effort, see the rewards. It always seems like it takes more effort than it should, but push hard enough and things happen. Sometimes I feel like that smiling, waving working girl: Look at me, look at me, I am worth your attention! 

I really don't like that part, but I do like the getting paid part, so what's a potter to do? I am trying a new approach, inspired somewhat by Cindy's post at Dirt-Kicker Pottery, in which she describes trying to balance her work cycle so she doesn't get stuck with a mountain of the less enjoyable parts to do all at once. Something like this happens to me! I'm lucky, in that I like all the making parts: I like throwing and altering and decorating and loading the kiln and glazing and firing; I can even sort of like the peace of the zone I need to create to mix glazes. What happens is, I do all that stuff, and put off the selling part, until I have too many pots, and I need to sell them. Shelves full of pots really bum me out, and I don't feel like making until I clear them out, so I won't make for a long time, and sometimes I'll take a chance on a consignment outlet that I don't, actually, think is all that promising, just to empty those depressing full shelves. And then later I end up with the awkward task of telling a store that, sorry, but it's just not working out, bummer, I know, but it happens...yadda yadda yadda... and then having to go and pack up the work.

That I then have to go and try to sell somewhere else.

SO. To avoid that inefficient & demoralizing cycle, I am trying to incorporate the hustle more into my routine. Every week, several times a week, I will make some effort to sell something. I will call an account, see if they need pots. I will send images to stores that don't currently carry me, to see if they want to. I will photograph pots I have here, and post them online. I will follow up on emails from people looking for ware.

The idea being that a little every day is easier to manage than a solid week of banging on doors (metaphorically) and it takes a while for the responses to come back anyway. I should always have something in the works.

Gotta hustle.

Wednesday, May 31, 2017

Matching Plates Are So Over

I've posted four new items in the online shop - plates! Check 'em out here, here, here, and here. I've been having some fun with the descriptions. It's like a lot of things: once you give yourself permission to have fun, it gets easier.

Here's a thing I sometimes wonder about: many people like to have their own personal mug. It's not unusual for a household to have no matching mugs (is it? I've never owned a set of mugs, handmade or otherwise.) But plates? Culturally we look upon matched plates as the only way a normal household can have plates.

I want to push back on that idea, and not only because I like to make plates but I hate to make sets. I think it's an opportunity to appreciate plates as object d'art. Each plate its own little vignette, a circular frame around an arrangement of texture, color, and pattern. It's a chance for creative hosts to mix styles and colors together to create an artistic table. Plates are also naturals for display storage; on plate rails or in glass-front or open shelving.

Matching plates? So five minutes ago. Set your table with plates as individual as the people using them!

PS. Don't forget: type in discount code BLOG BUDDY to get 10% off!

Stackables, Shadows, and Stone

The rough stone wall behind and the directional lighting give this stack of bowls more drama than one might expect, from cereal bowls. Almost sort of spooky, like a killer might jump out of the shadows...maybe even a cereal killer!😄

Tuesday, May 30, 2017

Notes of a Mundane Nature

I almost typed "Notes of a Mudane Nature," which would have been sort of appropriate.

After much rumination ('cause that's what I do), I have started using SquaredUp as my retail page. I like the look of the custom-built shopping page better but it's so much quicker to just upload photos & write descriptions to the pre-made store that I went with that, for now. I've got enough on my to-do list without always doing everything the hard way. I went for months with nothing in the online store because I couldn't find the time to do it all.
I do still find SquaredUp confusing from the admin point of view (there's the admin page, and the editor page, and the dashboard page...which all do different things...OTOH you can easily create discount codes, which is a thing I wanted to do but couldn't through my paypal links. Here, I'll go ahead & do one for you guys: type in BLOG BUDDY in the promo code box if you make a purchase, and get 10% off!)  It's very easy to shop from, and - for no reason that I can see - my sales have been better than when I was custom building each page. There's more than one factor involved there, to be sure - this was after the long spell of nothing available online, so there may have been some pent-up demand; I think I got better at writing descriptions; my Facebook and Twitter audiences are larger; and so on. So I can't say SquaredUp is necessarily the cause of the improvement, but I am feeling a little bit superstitious about it now.

Even though I know superstition is bullshit.

[knocks wood.]

Now I just have to track down everywhere that I have a link to my shopping page and make sure to replace it with the new link.

Other notes:

It's spring, going into summer, which means I have a little more money than I sometimes do, which unfortunately does not mean I will be eating fancy chow and drinking fancy wine, or even buying a cool pair of steampunk boots. Lumber for new raised beds in the garden and an upcycled-bureau-turned-kitchen-island are more likely. In addition, some less exciting purchases are in my near future, it seems:

Thing one: Boxes, packing peanuts, newsprint and rolls of corrugated cardboard. I've located a new supplier to replace Uline, and they are local! Local is always a plus. I need to top up packing materials. EAB, Inc is located in Lewiston, about 5 miles from INFAB Refractories, where I get brick inswool and refractory cement for kiln maintenance. Which brings us to thing two: I probably need to get some wool, and some softbrick to spiffy up the kiln a bit, tighten the door and the spies, etc.

Thing three: This damn burner.

Would you look at that crack? How does that even happen, unless being a million years old is cause enough? Obviously all firing is off until I get this fixed. I've got a call into a welder near me, he has to look at it to know if he can fix it, if not, a new burner sleeve is on my shopping list. 😕 I'd much rather have a pair of steampunk boots.

Monday, May 29, 2017

A Remembrance, on Memorial Day

Dad, looking so handsome in his uniform. 

I enjoy a long weekend as much as the next person - maybe more, if the next person is a curmudgeon! - but I do want to take a moment to recognize the people who risked all, and in some cases sacrificed all, to make the gardening and the barbecues possible. Thank you to our military service members, active and retired, past, present, and future. A special and heartfelt thanks sent to heaven for those who lost their lives defending our freedom.

My father was in the Air Force, before I was born. It was how he paid for college. He was stationed in Germany and though he came back well and whole and singing German songs, he enlisted during the Korean War. He didn't see combat, but he could have. He was willing to risk it, for his country.

A friend of mine (who's also a ceramicist) is a veteran of the war in Iraq. She suffers with a disability due to her service. Today she posted photos on Facebook of friends she lost in that war. It was so hard to see smiling young men and women, and to know they were gone, lost in service to their country.

It's a luxury for Memorial Day to be abstract.

My nephew is a soldier today. He is training right now for his specialty, and I fear in my heart he will be sent to Afghanistan, or some new war. He is a brave young person - they all are, to be soldiers, sailors, airmen, and marines in the first place - but I can't help but hope that his courage is not needed. I'm not much good at praying but I use whatever ability I have to ask that he be kept safe, that all our young men and women in the military be kept safe; that, if they should be forced to fight, let it be for a good cause and let justice prevail.

Enjoy the weekend, and thank those who made your enjoyment possible.

Be well.

Sunday, May 28, 2017

Sweet Hearts Sugar Bowl

New item in the Pottery Shop - this little soda-fired sugar bowl. Best thing about it? THE BOTTOM. (I can say that, because you all are potters, and you understand.)


The rest is nice too. Check it out here.

Saturday, May 27, 2017

The Glaze Challenge

People often ask if I offer classes. I teach, but not at my studio. I'm not set up for that, and more than that I am far, far too much of an introvert to feel comfortable with other people in my space on the regular. Just in the last year or two introversion has become fashionable, with entire articles written about how to interact with us, as if we were some rare species of  gnu that might shy away or bite if not handled properly. Or maybe an orchid, that would wither if exposed to too much personal interaction.

These articles make me laugh - I promise you, you've been successfully interacting with introverts all your life without an instruction manual! I'm not a fragile flower (although I am a snowflake, I must be, strangers [mostly unpleasant ones] tell me so every single day!) and I don't require delicate handling. I do recharge myself with alone time, and being social is work for me. But as I often say, anything worth doing is a lot of work! Some things which are work are also fun.

ANYWAY. Got off track. As I was saying, I don't offer classes here, but I do teach a few classes at Portland Pottery. I teach adults, at mixed skill levels. Beginners are the easiest - anything I show them advances their knowledge. ANY project will grow their skills. My later intermediate & advanced students are trickier; I want to help them pursue their own projects but I also want to push them a little. It's easy when you are finally making things you like to stop striving for new skills - that's why you need a teacher.

Our latest class project was designed to push people to try new surface treatments. I found and printed out some color/ pattern swatches, snipped them to about 2" x 2" so they wouldn't be recognizable as paintings, fabric, ceramics, or whatever. I put the bits of paper in a bowl and had students reach in & pull one out. That then was their assignment: replicate that as a ceramic surface, using any method available. Here are some of our results:






I am missing a few - I swear I took photos of all of them but somehow the photos are nowhere.

Underglaze was a popular approach, and some people tried underglaze crayons for the first time. There were wax/latex patterns, and brave efforts to try and apply glazes in such a way as to replicate the look.

I often do some version of a class project, and thins was one of my favorites! It was great fun for me to see the different approaches people took. I will find ten more snips online, and we will do this project again.

Friday, May 26, 2017

Firing at Watershed: Results!

As commonly happens, the firing at Watershed was great! That soda kiln is a joy to fire.
Look at these even cone packs!
I had six participants in the workshop - small enough that (I hope) everybody got a satisfying number of pots in the kiln. A couple of people had some larger items, always a challenge, but it worked out. I was especially pleased that my friend Cindy of CC Ceramics got in a big piece that she has carried around to four firings now, trying to fit it in! Sh hasn't seen it yet but it's fabulous - you can just see it, it is the carved piece in the rear on the left side, it's peachy & silver, I think she'll be delighted.

I myself had only a few pieces in; this firing wasn't really about me, although I like to have a few things just to dial up the fun factor. The lidded jars at the very top are mine; they will probably eventually find their way to The Cat Doctor, to house the remains of someone's beloved feline.

Look at the very bottom shelf - see that large oval piece? That belongs to Jeanne Hardy, a potter from Belfast. Jeanne participated in the Maine Pottery Tour, so we have emailed back & forth but this was the first time I'd met her. She got lots of nice pieces out of the kiln but that one sticks in my mind, such a great shape. She called it a "hod" which I keep thinking is maybe a kind of boat? Basically any word that I don't know what it means I decide it must be a kind of boat. Anyway I loved the form, a wide, simple oval. It would make a great salad serving dish. Except for the dots (I 💙 dots!) it doesn't look at all like something I would make but I could totally see it in my house.

Here are the pots unloaded.
At this point we still had to grind and wash the shelves, a dreary job but a quick one, as I had so many hands to help.

It's a rainy start to Memorial Day weekend here, and I am doing an biggish indoor project - I am transforming a bureau into a kitchen island. I'll be posting progress over at Wicked Cozy, my Maine-lifestyle blog. I've also got a couple of small orders to knock out, and a few pendants to assemble. Holidays don't mean much to the self-employed! Luckily the work is mostly fun, like I'm always on holiday. Well. Except for kiln maintenance. Oh and mixing glazes. Not fun!

Hoping your holiday weekend is fun, or productive, or meaningful, or whatever you wish it to be.

Monday, May 22, 2017

Scenes from a Firing

Most photos by Cindy Chiuchiolo - thanks Cindy!
Last weekend I did a firing workshop at Watershed with a superfun group of ladies from Maine and Massachusetts. We were graced with perfect weather - low 70s and sunny skies. We glazed Saturday morning, loaded Saturday afternoon, candled the kiln overnight, and fired on Sunday. The kiln had a pokey start - I was worried for a bit there that we might be in for a late night. But it caught itself up and we started spraying the soda by 4 pm. ^10 went down around 6:30 - in tandem with ^11, with the bottom a bit behind. As I always do at Watershed, I had a blast, and I hope participants did, too.

The soda kiln at Watershed is designed a bit differently than mine - higher soda ports, looser bag wall - in addition to just being a bigger kiln. The soda spray method definitely works better on this kiln than the soda salad method of application does! Once I tried the soda-salad method in the Watershed kiln. Everything above the bagwall was dry as chalk. The spray method creates a more even application of soda, which is either good or bad, depending on what you are looking for. While I have generally been happy with the work out of this kiln in the past, I do miss my juicy soda spots!

We'll be unloading on Wednesday, as well as grinding and washing the shelves, sweeping the kiln pad, and all the other little things necessary to observe the girl scout rule in a communal space.   Watch here for the unloading pics!

Thursday, May 18, 2017

Challenging Aesthetics, Or, The Last Juicy Mug from The Juicy Firing

There was a super- juicy area in this last kiln - no dry spots (YAY) but there was a region that got heavy soda, so much glaze it flowed in rivulets on some pots. As it does when it's fired in reduction, the thick soda glass turned charcoal...wait, no, silver...what's another pretty word for grey?

I just mean - in selling these pots, I never describe them as just grey. Dove grey, maybe, or pearl grey.  People think they don't like grey. Shopkeepers think people don't like grey. But these pots, with their juicy grey rivers of soda? Are flying out of here. Every time I post one it's gone in an hour. (KNOCKS WOOD, really hard. Nothing to hear, here, jealous gods, move along!) So I only have one left, of the mugs from the super-juicy spot in the super-juicy firing. It has some grey, flecked with gold.

Why are these the mugs in huge demand, in a world where bright colors are king? I have some thoughts about this, about how people make aesthetic judgments.

There may be some aspect of aesthetics that is hardwired - a preference for bright color would make it easier to find food: fruit, obviously, and edible flowers; and flowers can mark the locations of edible roots, or, later, berries. It must be a pretty mild preference, though, (if it's there are all) because historically plenty of cultures have favored neutrals and muted tones. Most of our aesthetic is formed by what we see every day. And what we see every day is formed by our aesthetic. It's a feedback loop. But there are little cul-de-sacs of  preference that form when people spend a lot of time with a less-mainstream aesthetic.

The people who bought these magical grey, wonky, fluid mugs? All people who, while not potters, have spent some time looking at and thinking about handmade ceramics. For most people, their ideas of what is beautiful are shaped almost entirely by machine-made objects. Things that are asymmetrical in form or surface, things which have uncontrolled aspects, these look weird or flawed to most people. The same for colors: what is thought of an normal is informed by what we see every day.  In Western culture, we favor neutrals for background aspects - walls, floor, window treatments, even furniture - and but we are drawn to brights for more intimate objects - towels, throw pillows, and yes, pottery. We also favor the kind of symmetry that comes from machine work.  (I have a world of thoughts about this: how people think they want handmade but the handmade most people like best looks a lot like mass produced ware. )Yes, this is a very broad generalization, and yes, many people fall outside of it. Don't @ me , I know! That's the point: the exceptions. Where do they come from?

They come from exposure to things outside the mainstream aesthetic. From you, from us, with our wacky, wonky, handmade pots! Every time you show them or post them or use them with friends, you are changing the world a little bit. You are changing the cultural aesthetic just a titch. I like to think that at the same time we are making the culture a little more accepting of differences, quirks, oddballs. If you can love a pot that is a little off-center, why not a person? If you can love a mug that doesn't fit anyone's mold, maybe you can see as lovable a person who doesn't fit society's mold. It's OK - no, it's beautiful! - for us each to be unique.

ANYWAY! Sorta wandered off into the weeds, there (but they are very beautiful weeds!)  If you want the last super-juicy mug from the super-juicy firing, you can buy it here. Who knows when the kiln will grace me so again?

Wednesday, May 17, 2017

Rivers of Glaze

Sometimes pots turn out pretty much like I planned. Sometimes, not so much! In this case the kiln seemed to have ideas of its own:
$36 - Click here for purchase information


It's a very nice mug in the hand, too - an intriguing landscape of impressed hearts for fingers to explore.
"Not what I expected" is sometimes better than I expected!

UPDATE: This mug sold within an hour of posting! 😊😊😊

Monday, May 15, 2017

Blue and Russet Vase with Flowers

Click here to purchase this vase!
I while ago I did a step-by-step on a thrown and altered form that has been fascinating me for a little while now, but I think this is the first time I've shared a fired result. Everythign about this one hit the way I hoped it would - the soda distribution, the way the textures caught the glaze, just the joyousness of the thing. It's for sale, here.

As an aside, I have switched - mostly  - to Squaredup from paypal. It's cheaper, and I have the little swipe device, so I can use the same account for in-person sales as for web sales. Squareup also automatically deposits at the end of the business day (their business day, but whatev, they had to choose sometime) instead of making you log on and request your money. Listing items in my Square store is a little...non-intuitive, though. I have to list them in the library, then import them to the store, and only then can I do things like add a second or third photo. And I haven't found a way to just add a "square" button to pay, like paypal offers, to incorporate into my own website. So, not sure if I am done with paypal entirely. I'm interested to know what your experiences have been.

Sunday, May 14, 2017

Bowls of a Different Sort

Chocolate bowls with Raspberry Fudge frozen yogurt, whipped cream nuts & berries
It's Mother's Day! My family typically come up here from the Portland area for lunch and just hanging out. Usually we sit on the deck but it a wet one out there today so we'll be staying warm and dry.
I decided to do something special for dessert: chocolate balloon bowls. I had them at Portland Pottery's Valentine's Day Date Night event, and just fell in love with the idea. So pretty! So clever!

Readers of this blog know I am not shy to try new things even when I don't know what I am doing, but this time I prepared reasonably well; I watched a few youtube videos, and asked the chef at PP  (Chef Manda! I just love her) for any tips she could pass along. Nevertheless, hilarity ensued. But then eventually success:


If you, like me, enjoy reading about other people's debacles - maybe you, like me, find it comforting to know that other people are fuck ups, just like you are, but they figure it out, and so will you - you should read this entry, my first efforts to make chocolate bowls. If you prefer to skip right to the lessons-learned bit, you should read the update, which is the got-it-figured-out part.

Mom & me. In real life we're less blurry
Lunch as great, dessert was great, now I am settling into a sugar-crash coma. Tomorrow I'll get back to making clay bowls.

Friday, May 12, 2017

New Pots!

Oh man! It feels like forever since I have had pots to post! I'll have links to purchase these up soon, but for now, have a look! it was a very juicy firing, lots of soda, well distributed. The kind of firing that gives you that happy feeling that keeps you making. Anyway, check 'em out.

↑ This one is posted!  Wanna buy it? Click here. 
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